Showing posts with label Syd Nairda. Show all posts
Showing posts with label Syd Nairda. Show all posts

Friday, 11 October 2019

Real Time 4 (1982) C90


Here's the fourth one bringing with it an increased emphasis on dreamy (or otherwise) electronic instrumental work, which is no bad thing. Usual terms and conditions apply in regard to who the hell any of these people were, although some you may recall from previous volumes of Real Time. EG Oblique Graph, as you well know, turned into Muslimgauze shortly after, and this track was taken from his Tryptych 7" EP as issued by Recloose. Not having the record myself, it's all new to me, although I note with curiosity that the version some bloke has posted on YouTube seems to run at a different speed to this one, so I have no idea which one is correct unless it's one of those AMAZING RECORDS WHICH THE ARTIST SAYS YOU CAN PLAY AT ANY SPEED SO LONG AS YOU'RE FINE WITH HAVING YOUR MIND BLOWN!!!  I still don't know nuffink about the Ffuts except that they used to be called the Stuff, and I vaguely recall having a fanzine in which they featured and in which they explained why they took to reversing their name, but typically I flogged it on eBay. Oh well. Jung Analysts and Push Button Pleasure are both something to do with one Terry Burrows (pictured above). Paul Kelday, as I only just found out, is or possibly was brother to one of New 7th Music, so that's interesting. I remember his work turning up on a lot of compilation tapes back in the day, and it was always something worth hearing. I really should have picked up a couple of his tapes but never mind.
 
Don't have much else I can say about this one, except that some guesswork was involved in incrementing the tracks from side one, working out whether such and such a burst of funny noises were the end of one track or the beginning of another - that sort of thing - so if I got it wrong, sorry to those concerned, but you really should have started your tracks with a hearty 1-2-3-4 like a proper band such as Racey or Abrasive Wheels. Also, the Ffuts track is actually two tracks on the tape, running out and cutting off at the end of side one, then abruptly resuming on side two, and listed as parts one and two on the cover. This seemed a bit messy to me so I've edited them into a single piece as it's clearly all part of the same track.


Tracks:
1 - The Critical Disco Review - Sour Tangs
2 -
The Critical Disco Review - The Nomads
3 -
Sons Of Mavis - Poison Ivy
4 -
Sons Of Mavis - 20/20 Vision
5 -
Jonathan Rush - Jomar's Journey [excerpt]
6 -
Vista - New Sky
7 -
EG Oblique Graph - Black Cloth Behind De Gaulle's Wax Head
8 -
Ffuts - The Nuclear Tribe
9 -
Jung Analysts - The Shining Room
10 -
Push Button Pleasure - Reproductions
11 -
Paul Kelday - Worlds Apart [excerpt]
12 -
Syd Nairda - Journey on the Motorway
13 -
Syd Nairda - Sunset in the Desert
14 -
Robert Cox - C352
 

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Monday, 9 September 2019

Real Time 1 (1982) C90

Some Digital Dinosaurs yesterday.

I thought I'd run out of compilation tapes, having digitised all of those in my possession, then remembered that Robert Cox, the man behind Unlikely Records, had very kindly sent me digitised files of the volumes of his Real Time series which I hadn't already posted here. So these are tapes from the eighties which I've only heard this year for the first time, which is exciting. The two volumes I have in my physical possession were posted here and here,  and I'm sharing those links so as to avoid having to repeat myself as to what Real Time was all about.

I'm pretty much in the dark about most of these people. I recall the Digital Dinosaurs from back in the day, and it turns out they were from Coventry so I probably read about them in Martin Bowes' Alternative Sounds. There's a bit about them here, and I've just noticed that the excellent Mr. Zchivago has a shitload of material on his Die or DIY? blog. In Embrace were something to do with the guy from 3 Way Dance and Peter Becker of Eyeless in Gaza, amongst others, and I remember What a Nice Way to Turn Seventeen fanzine of Leamington Spa going positively apeshit over their album, from which I assume these excerpts are taken. I also recall Jonathan Rush from somewhere or other, and the Ffuts used to be known as the Stuff. I'm sure you all know who was behind EG Oblique Graph, and the Same was Robert Cox himself, which is why it probably reminds you of Rimarimba. I don't know anything about the rest, but hopefully you'll agree this is a nice little collection, full of surprises. Quite keen on the Emergency Exit tracks myself.

I'll post volume two in another couple of weeks once I'm back from my holiday in Airstrip One.


Tracks:
1 - Syd Nairda - Nevada
2 -
Lurch - High-Steppin' Mamma
3 -
Digital Dinosaurs - Sideways Man
4 -
Digital Dinosaurs - Red Fire Engine
5 -
Jonathan Rush - Synthasalsa
6 -
Jonathan Rush - New Dawn
7 -
Y Celfi Cam - Mab y Gweinidog
8 -
In Embrace - [excerpts]
9 -
EG Oblique Graph - Scar
10 -
The Ffuts - Luscious Love
11 -
The Same - 453-549
12 -
Tom Cramp & the Epileptic Ducks - Die for Doggy
13 -
R.J. Curd - [excerpts]
14 -
Emergency Exit - Falling for You
15 -
Emergency Exit - Voices
16 -
Part Form - [excerpts]
17 -
Future Future - Operator
18 -
The Toy Shop - [excerpts]
19 -
Extension-Two - Gaps
20 -
General Motors - Tubular Turd
21 -
General Motors - Live Wasp Omelette, Lung
22 -
Piers of the Realm - Manic
23 -
Someone Else - Something Else
24 -
The Same - Set Zero
25 -
The Same - Hot & Cold
26 -
The Same - Larruping Shuftly
27 -
The Same - If You Want To, Do So!
28 -
The Same - Du Ma Casa
 
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