Friday, 13 April 2018

Death Pact International - Fear Eats the Soul (1986) 2C60


All this Grey Wolves has set me to thinking about how I'd once collaborated with them as part of something called Death Pact International, and yet never heard the finished result. In fact I think I only realised that it had ever existed when Stream Angel, another contributor, had mentioned it on facebook. The deal had been that various persons with whom Trev of Opera for Infantry (or probably Irritant by that point) regularly corresponded should send in a tape of sound, noise, music, or whatever, and that it would all be processed, mixed together, and used as part of Death Pact International; so I suppose you could say it was a weirdy music supergroup on some level. Anyway, I sent him something called Rubbish Like You* - a title I'd pinched from Pok-a-Tok fanzine as produced by Lennart Eilersen of Enhoenta Bödlar - and that was the last I heard, although to be fair I was moving around a lot at the time so it's likely Trev either lost my address or that a copy never got forwarded to me from somewhere I'd been living. Anyway, duly reminded of this tape I had a look around for an MP3 version on the internet, but was only able to find one on a site which, for whatever reason, wouldn't let me download stuff. However, Nils Inge Graven was able to download the thing and thus kindly furnished me with a copy of the files, which was nice. So here, by way of a slight swerve, is something I haven't actually digitised from my own collection, but am sharing because I'm on the fucker.

The files I received took the form of four sides of the double tape each digitised as a single continuous track, which offended my sensibilities so I've put it all through Audacity and re-edited the thing, cleaned it up and so on, although as with Tomorrow We Live, the distinctions I've made as to where one track ends and another begins are guesswork on my part. I've also cleaned up the scans of the accompanying artwork and booklet. You're welcome.

Fear Eats the Soul is collectively the work of members of Opera for Infantry, Con-Dom, Kapotte Muziek, ESP Kinetic, Sperm Culture, Do Easy, Face in the Crowd, and a few others I haven't heard of. My recommendation is that you listen to it as though it were a single two-hour piece.

It's great to hear this thing at last, and I feel sort of proud to have been involved. 

*: The original track as it was when I sent it off to Trev can be heard on Gravesend.


Tracks:
1 - Bass / Roots Intro
2 - Madrid de Dia
3 - Sucked In
4 - Crawl
5 - Rubbish Like You
6 - Dumb Dogs
7 - Trigger Mechanism
8 - Mutation Nation
9 - Raw Aktion
10 - Piano //?
11 - Daddy, Fuck My Head
12 - Affirmation
13 - Rage Beater
14 - Clear Blue Sky
15 - Burning Down the Walls of Fire
16 - FDN
17 - What Are You Doing Tomorrow?
18 - Tentaciones
19 - Troops Rape Grenada
20 - Red Peace
21 - Ever Forward
22 - Kill at Will
23 - Banned Exit

 
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Friday, 6 April 2018

Tomorrow We Live (1986) C60


Last week I posted Opera for Infantry material from a tape I'd made up myself, copied from things which Trev Ward had sent me over the years. The last track on the tape was a massive slab of noise identified only as being by Irritant, a name Trev briefly used for his solo recordings. I had a hunch I'd probably just copied it straight from Tomorrow We Live for the sake of filling up a tape, so I went to check, then decided I may as well just go ahead and digitise the thing seeing as I was planning to get around to it eventually; meaning that April is Grey Wolves Month here at Ferric Archaeology Towers.

In between the end of Opera for Infantry and the beginning of the Grey Wolves, Trev recorded solo as both Irritant and Nails ov Christ, although I can never remember which secret identity came first. Anyway, this one was a split tape with Ramleh. The Ramleh side seems to be from some live performance, although I have no clue as to where or when, and the booklet doesn't give anything away. It also seems to share a roughly similar track list to a few of their early Broken Flag tapes - from what I can see on Discogs - which I never actually heard, so I don't know how well it stands up in the wider context of their oeuvre. Ramleh's Blowhole is one of my favourite records, but is almost the work of a different band, and their tracks on Broken Flag's Statement album are pretty solid, but I guess you probably have to be a bigger fan of Ramleh than I ever was to get something from this live set. I mean, it's okay, just sounds like a lot of other things. Titles appear where it seemed like a new track had begun to my ears, because otherwise it's just twenty minutes of more or less continuous noise. I know I could have left it as a single track whilst editing the sound file and no-one would have given a shit, but it felt as though it would be wrong to just leave it, because I'm a pedant.

Same with the Irritant side of the tape - the noise changes about eighteen minutes in so I've assumed that's where Assault System starts. I have to say, this Irritant material is probably one of the most powerful slabs of noise I think I've heard, and I vaguely recall thinking it was about the best thing Trev had ever done at the time.

I wasn't going to bother scanning the booklet because I'm sure you've all seen pictures of bad guys before, but what the fuck - here it is scanned and included with the download for the sake of being thorough. Enjoy.

I seem to recall the tape came loose in a sort of envelope made of an A4 photocopy folded over and stapled closed, which annoyed me because I LIKE EVERYTHING TO BE NICE, so I made my own cover (using photocopies of the envelope version) for the sake of sticking it in a case and neatly filing it away with my other tapes, like nature intended; so I've scanned my version of the cover. I don't have the envelope version. It's probably worth about a million quid now too.

Finally, in case it still requires an explanation, you will notice that the artwork of this tape features a heapin' helpin' of Oswald Mosley and his British Union of Fascists, whom older readers of the Daily Mail may remember with some affection. My feeling, based on years of personal correspondence with Trev and the fact that I'm an adult, is that the presentation of Tomorrow We Live was intended to provoke an extreme and unpleasant reaction, rather than being as it is because, as some have suggested, Trev thought Oswald Mosley was probably a right nice bloke. The intention of most of Trev's work, as it seems to me, has been to provoke horror of such strength as to inspire change within society, so it's simply not the case that he's ever presented a vision of society he would like you to support. He's trying to scare you into pushing back. I personally think he may have misjudged the effect of what he was doing on a couple of occasions, but the Grey Wolves were never the musical wing of the far right, regardless of how it may have seemed from a cursory glance. Were it otherwise, I wouldn't be sharing this thing, mkay?


Smiley face. Smiley face.



Tracks:
1 - Irritant - British Blood
2 - Irritant - Assault System
3 - Ramleh - Throatsuck
4 - Ramleh - A Return to Slavery
5 - Ramleh - Nordhausen
6 - Ramleh - New Force
7 - Ramleh - Phenol
8 - Ramleh - Koprolagnia

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Friday, 30 March 2018

Opera for Infantry - Band Sessions (1984) C60


Back in 1984, Opera for Infantry - Trev Ward and David Padbury who eventually went on to form the Grey Wolves - briefly spent some time as a punk band with guitar, bass, drums, and songs. It was really an experiment, an exercise in audience expectation, as Trev wrote at the time:

We've been busy working out a set for our next gig which is going to be on May 12th followed by one on May 26th that is a benefit for the ALF. What we'll be doing at these gigs is some punk stuff so that people will think that is what we are, and at the gig after that we are going to do something completely different so as to shatter their expectations and to let them know things are not as they appear to be. They couldn't stand it at the very first gig when we played Hopscotch (very loud) and smashed all this metal stuff to pieces. 99% of the crowd left the hall as soon as they could and after our set they filtered back in moaning about the violence of it all, the unbearable noise. We couldn't stop laughing as we cleared the mess up. So next time they'll get what they want, so they'll think we have changed and then we'll hit them again with something different. I find that these people who call themselves individuals and open-minded like the punks in this area turn out to be very conservative and don't like change, preferring to stick to their safe 'rebellious' music which actually isn't rebelling against fuck all or changing anything.

In case that all sounds a little cynical, I seem to remember another letter which claimed it was just a case of diversifying, appealing to a different audience - although I can't seem to find that letter right now, but given all the punk bands Trev put out through his label, and all those OFI supported, I'm sure it wasn't just Trojan horseplay; plus it's worth taking into account that the music is actually pretty fucking great, and hardly the work of someone who is merely faking it for the sake of knowing industrial chuckles.

This stuff comes from a tape I compiled myself, because everything Trev sent me was always on the cheapest shittiest car boot sale cassettes money could buy, so I usually copied the music onto a TDK or something; and this particular TDK contained the three tracks contributed to my Moraals compilation on Do Easy, only two of which I actually used, recorded when we were feeling a bit down, I seem to remember him saying, and possibly the best things Opera for Infantry ever recorded in my opinion. The rest of the material is from the rehearsal tape, complete with fuck ups, false starts, chatter and so on. Some of the titles are self-evident, but I've had to guess at a few of them. Trev is on vocals, and I definitely came across a letter (which I now can't find) referring to a drummer named Chris, and I don't know about the rest. There's a segment of the tape where Dap is mentioned, something about working out something for the bass for when Dap turns up, so I'm guessing he wasn't on this recording.
 


Tracks:
1 - It's Later Than It's Ever Been
2 - Self Discipline not Self Oppression
3 - Time is...
4 - (introduction)
5 - Technological Valium I
6 - Brenda Spencer I
7 - Brenda Spencer II
8 - Men of England
9 - Brenda Spencer III
10 - Chemical Warfare
11 - Policed
12 - Massacre
13 - It Could Be You
14 - Burning (false start)
15 - Burning
16 - Nothing's Wrong
17 - Don't Worry, Animal
18 - Technological Valium II



 
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Friday, 23 March 2018

Real Time 7 (1983) C90


I posted a previous volume of this series back in January accompanied by the image of some random ne'er-do well in the absence of anything which could reasonably be described as artwork. I don't even have a cover for this one - just an information sheet, and I can't even remember if it ever had an actual cover; but anyway, here's a picture (as found on Discogs) of Robert Cox, the handsome fellow who compiled these tapes and recorded as Rimarimba because I still feel a bit guilty about the image of some lumpy bloke with which I illustrated the previous posting.

Everything I said about Real Time 5 seems to apply here, pretty much, particularly regarding stonewashed jeans bands; and yet like Real Time 5, this is nevertheless a mostly decent compilation with not much fast forwarding required. Robotghost was John Grimaldi, formerly of Argent whom older boys and girls will recall had a hit with God Gave Rock and Roll to You; Len Liggins you should recall from both Real Time 5 and International Sound Communication 10; Gambit of Shame and Mex should be known to you if you've been following these blogs, and No Bounds and 18 out of 20 seem to be variant mixes of those which appeared on their classic 7" - still one of my favourite singles from that era; I've posted about Adventures of Twizzle before as I put out a tape by them on my Do Easy label, although this track was originally on Hitler's Trousers after the Blast which I'll digitise at some point within the next couple of months; I'm drawing blanks on Magnificent Everything, If All Else Fails, John Ralph, Terry Crocodile, Nine Dangerous Fish Inc., Personal Effect, Martin Barbour, and Three Damn Cheers, although for what it may be worth, If All Else Fails' Sand is probably my favourite track on this tape after the Gambit of Shame numbers; Stress you really should have heard of, being the vehicle of Alan who used to edit Adventures in Reality and Phil Clarke who produced (I think) Damn Latin zine and was (possibly) in the Stick Insects.; leaving just Rimarimba which was Robert Cox's own material, possibly occasionally involving either Smell or Quim of Smell & Quim, according to Discogs.

Dream Syndicate sounds a bit Chris Morris to me.


Tracks:
1 - Robotghost - Museum of Fakes
2 - Robotghost - Studio 54
3 - Len Liggins - Boxes (All I Want is a Womb with a View)
4 - Len Liggins - I Know You Know
5 - Gambit of Shame - To Hell with the Carnival
6 - Gambit of Shame - No Bounds
7 - Gambit of Shame - 18 out of 20
8 - Mex - Born to be Killed
9 - Adventures of Twizzle - On and On and On
10 - Magnificent Everything - Blue Sky North Street
11 - Magnificent Everything - Big Casino
12 - If All Else Fails - Sand
13 - If All Else Fails - Blood on Her Produce
14 - John Ralph - Star
15 - Terry Crocodile - Velvet
16 - Terry Crocodile - Dream Syndicate
17 - Nine Dangerous Fish Inc. - Shake
18 - Nine Dangerous Fish Inc. - Lobsters on the Boil
19 - Personal Effect - Tired and Emotional
20 - Martin Barbour - The Other Way
21 - Martin Barbour - Attarine Street
22 - Three Damn Cheers - Peur
23 - Stress - Nothing New
24 - Rimarimba - Steady State
25 - Rimarimba - The Melting

 
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Friday, 16 March 2018

IVE - That Infernal Chemistry (1984) C46


This completes my posting of stuff released by Refill Tapes of Devizes, Wiltshire, given that there was just this and the two compilations, Reflections of a Past Age and Another Lost Cause. You may already be vaguely familiar with IVE if you listened to Reflections, but otherwise - answers on a postcard to the usual address because I haven't a clue. They don't seem to be on Discogs and have no internet presence that I am able to detect. There's some information on the A4 information sheet which came with the tape, and which I've scanned and included with the download - names, address, and other tapes which may or may not have been available, but that's about it.

That Infernal Chemistry probably won't change anyone's life, but it's a decent cassette of approximately post-punk tracks distinguished by female backing vocals and drum machine, quite original in its own way, and maybe not unlike anything else you've ever heard, but at the same time I'm not sure quite who I should compare this too for the sake of piquing anyone's interest - the Au Pairs maybe?



Tracks:
1 - Secrets
2 - Sixties Man
3 - Htworgrednu eht Hgourht
4 - Spinning Top
5 - Haircut Off
6 - Take Me to Your Alchemist
7 - Through the Undergrowth
8 - So They Tell Us
9 - I Must (cake mix)

 
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Tuesday, 13 March 2018

War Drum - Complex Adaptive System (1998) 12"


This would have been a five track 12" EP except I never managed to get the money together to have the thing pressed, and the longer I waited, the more I realised no-one would buy it or even want to distribute it, and eventually I stopped caring. I seem to recall that Mark of Impulse fanzine (and Konstruktivists) ran me off twenty-five CDR copies, but my disillusionment with CDRs had set in by the time they came in the mail and I never did anything with them. It was recorded at JTI Studios in Brixton with Ian McKay engineering - same place as various Alternative TV and Skullflower records, and (as I've only realised just now) Ramleh's fucking fantastic Blowhole album. It would be nice to think some of the magic rubbed off, but it probably didn't. Anyway, I was at JTI recording a load of stuff with UNIT, probably material for the album which never happened and (frankly) would have been about a million times better than the one which did, and I've a feeling there were a couple of days we had booked upon which it turned out that Dave or Pete or someone wasn't going to be able to make it. Andy was going to ask Ian, who ran the place, if he could just have his money back for those days and let someone else make use of the studio, but I said I'd pay for those days and use them to record some of my own stuff. So that's what I did. This was January and February, 1998.
As you can probably hear, I was suffering from neofolk poisoning at the time, but never mind. Penitent wasn't really supposed to be on the non-existent 12" EP, but I recorded it seeing as I had some time left after we'd finished the first five. Lonesome Town is a Ricky Nelson cover, for some reason which made sense in 1998, and the other tracks, excepting Shoemaker-Levy 9, Fragment G, are fancier versions of things I'd already recorded on various War Drum tapes, as can be found elsewhere on this blog. Most of this was just me, although Andy Martin sang backing, played drums, and delivered the spoken vocal on Shoemaker. Ed Pinsent, whom you may recall from either Pestrepeller, Mystery Dick, Sound Projector magazine or his Resonance FM show, played guitar on Shoemaker.

I don't know. It all seemed to make sense at the time.


Tracks:
1 - A Marriage
2 - Toltec Inheritance
3 - Hummingbird
4 - Shoemaker-Levy 9, Fragment G
5 - Lonesome Town
6 - Penitent

 
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Friday, 2 March 2018

Another Lost Cause (1984) C90

Little bit of politics there. My name is Ben Elton. Goodnight!

No, I don't remember this one making much of a showing in that year's design awards either, but this might have been the first compilation tape to which a stranger had asked me to contribute (although it could have been Anal Probe's Political Piggies - it's all a bit of a muddle) so that makes it amazing in my book, even though, with hindsight, my tracks probably weren't. Another Lost Cause was the follow up to Refill Tapes' similarly wistfully named Reflections of a Past Age compilation. I suspect it was also their last offering as I don't recall hearing anything from them after this one. I think the tape-buying public's general lack of enthusiasm for Refill product was beginning to get them down; and before anyone says anything, yes I know their tapes looked a bit low budget, but fuck it - they made for some decent listening - apart from my tracks, I suppose.
 
If you've been following this blog, chance is you may already have some of this stuff. Mine appeared straight off the master copy here, for what little it may be worth; at least one of the Opera for Infantry tracks came from Hopsotch; I'm pretty sure all of the Family Patrol Group material is taken from Fear Death by Water; and the Bomb the Day Nursery stuff all comes from the album they released as Enhoenta Bödlar, although you might do best to get it from their Soundcloud page which additionally features a whole bunch of other stuff. I never quite worked out why this same material appeared credited to both Bomb the Day Nursery and Enhoenta Bödlar (and not just on this particular compilation) but assume it would be something to do with Roger Karmanik and Lennart Eilsersen eventually falling out with each other given that Roger went on to record under other names utilising the initials BDN, Brighter Death Now being the best known. The Yttersta Tagghudingen tracks eventually resurfaced on a 12" EP which I'll get around to buying one of these days, although I'm not sure if they're the exact same versions. Yttersta Tagghudingen were also something to do with Lennart Eilersen - or Uddah Buddah as he was also known, and possibly still is.

As for the rest, there are more details in the booklet, which I've scanned and which comes with the download, and which is as much as I know. This is a little annoying as I now realise I really should have sent for that tape by the Rattle when I had the chance. I've rooted around for any trace of it or them on the internet but can find nothing. I never really noticed them at the time, but I think the two tracks on this tape are fucking astonishingly good - My Bloody Valentine with a Casio VL Tone.


Tracks:
1 - Astral Joe & the Nighthawks - Our Friends in America
2 - Do Easy - Documentary
3 - Yttersta Tagghudingen - I Trek from Down Yondah
4 - Opera for Infantry - Playing with Fire
5 - Family Patrol Group - (live)
6 - The Rattle - The Party's Over
7 - Bomb the Day Nursery - That Blind Tormentor
8 - Opera for Infantry - Shoot to Kill
9 - Astral Joe & the Nighthawks - Theme
10 - White Elephants Over Jamaica - Pyromania
11 - Do Easy - Vicar Vicar Straight into the Public Lavatory
12 - The Rattle - She Loves You
13 - Family Patrol Group - Fear Death by Water I
14 - Astral Joe & the Nighthawks - The Dark
15 - Opera for Infantry - Hopscotch
16 - Bomb the Day Nursery - The Only Way to Survive is to Commit Suicide
17 - Yttersta Tagghudingen - I'm Nailed to the Barn Door
18 - Astral Joe & the Nighthawks - Where Do I Go?
19 - Do Easy - Nuove Tendenze
20 - Yttersta Tagghudingen - Golliwog
21 - Family Patrol Group - Fear Death by Water III
22 - Bomb the Day Nursery - Heathen Nordic Temple
23 - Astral Joe & the Nighthawks - Astronauts / Voice of a Psychic

 
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