Showing posts with label Smear Campaign. Show all posts
Showing posts with label Smear Campaign. Show all posts

Monday, 31 July 2017

Family Patrol Group - Fear Death by Water (1983) C60


Back when I was just a schoolboy in short trousers, I went to see Whitehouse play live at a pub in Birmingham. I'm not sure if it was the first gig I ever attended, and I can't be bothered to check, but it was probably one of them. I went with my friend Grez, and possibly also Jez, although I have a feeling he may not have been able to make it - it was a long time ago. Anyway, despite being a youthful bag of nerves I made a new friend just by standing outside the venue with a Come Org badge proudly sported upon the lapel of my school blazer. His name was Colin Fisher and I think he'd helped organise the event. He was a member of Family Patrol Group, one of the two support bands, the other lot being D.Mag 52 / SHC standing for Death Magazine 52 and Spontaneous Human Combustion because they had two names, not yet having decided which they preferred. We went in and my eyes boggled at what the inside of a pub looked like. I noticed a bloke resembling the Shend from the Cravats stood on the other side of the room fighting off a massive crowd of fans, and David Tibet was perched at the next table reading out the lyrics to Whitehouse's Rock and Roll to his pals and making them laugh. It was exciting, and also kind of scary.

Family Patrol Group were first on with a fifteen minute wall of noise, followed by D.Mag 52 / SHC, who were good, but not as good, finishing with Whitehouse, who were terrifying. A glass casually lobbed into the audience by one of the Whitehousers hit Grez squarely on the top of the head. I turned to him so as to opine something along the lines of fuck this - let's go home and found my question answered in dramatic fashion by blood gushing down his face from where the glass had hit. This incident has somewhat coloured my view of Whitehouse since, but to get to the point, Family Patrol Group really stole the evening for me. There was something about the pure force of their noise, like standing before the business end of a jet engine, and a jet engine which caught our attention without turning the event into the pre-title sequence of an episode of Casualty.

I kept in touch with Colin and bought a few tapes off him, then saw Family Patrol Group again later that same year supporting a couple of bands I don't even remember - Seduction and Baptism with Fire. One of them was a Bauhaus tribute act or something along those lines. This second gig is captured on Fear Death by Water, or at least on my copy. I've a feeling the original tape may have been just the four studio tracks, and I added the recording of the gig in support of Whitehouse myself seeing as there was plenty of room on the tape. I had the impression that Fear Death by Water wasn't so much an official thing as just a tape they might slip you if they could be arsed. The cover doesn't give much away, certainly no titles, and some of this stuff turned up on compilation tapes with titles which may have come from the group, or may have come from whoever was putting out the compilation. I get the impression they were more interested in the live setting, and to be fair, they were fucking amazing live on the two occasions I saw them.

I still don't know much about Family Patrol Group, although their internet presence seems to have increased since the last time I looked, and there's even a website with a list of gigs performed. Their commitment to power electronics conventions of the time seemed tongue-in-cheek bordering on sarcastic, at least going by what Colin said about their Beyond Nilsen stickers. They clearly figured somewhere in that whole Birmingham noise thing which also bequeathed us Final, Smear Campaign, Con-Dom, Godflesh and so on, and the two who weren't Colin Fisher had also been involved with D. Mag 52 / SHC, concerning which, please feel free to interpret whatever else you may feel you need to know from this excerpt from one of Colin's letters:


I'm not in D. Mag 52 / SHC, but the other two are. I'll give you the D. Mag 52 / SHC potted history if you like. Originally a large band of around nine members, fluctuating line up depending on who could attend, no rehearsals, just found instruments before gigs usually. Mainly metal bashing, drums, and other percussion, like Test Dept at times. Slimmed to five, four, or six piece - then mainly metal, tapes and vocals. Then down to two hardcore members - others thrown out or dissuaded. No gigs, but still fluctuating as people replace one another. At the Mermaid, Simon was helped out by a friend. The other hardcore member - Paul - was on 'holiday'. Truth is he was a bit embarrassed at supporting Whitehouse. I think he felt it was pointless trying to compete with them, as we all did, but nevertheless we didn't bottle out. After Family Patrol Group degenerated to nothing, mainly because of my absence at Sunday afternoon jamming sessions, Mike Grant, Family Patrol Group vocalist, was looking for gigs to play as D. Mag 52 / SHC, playing alongside Simon and Paul with Greg, our tape person. They got two, one at a pub which has a regular free spot on Monday evenings, and the second was at an all day festival where Nick Lowe was the main artist. They got ₤100 to play this, but I was told they used ₤80 in preparation by going into the recording studio to record backing tapes. I think it may have been Mike Grant's idea as he had not been into a studio before and was quite keen to do so. Anyhow, I didn't go to either of the above two, mainly due to Mike Grant falling out with me. Nothing serious, just once when we were in a pub he ignored me and he's never spoken since.

I'm therefore assuming that Family Patrol Group were Colin Fisher, Mike Grant, and some dude called Greg, but I'd be very happy to be corrected on any of this - always happy to revisit this little corner of noise history, given that you probably won't get to read about it in books written by tossers for whom it all started with comedy acts such as Ministry.




Tracks:
1 - Fighting Cocks, Moseley 17/12/83
2 - Fear Death by Water I
3 - Fear Death by Water II
4 - Fear Death by Water III
5 - Fear Death by Water IV
6 - The Mermaid, Sparkbrook 27/8/83



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Monday, 5 June 2017

v/a - Ars Magna et Ultima (1984) C60


Here we go - the Black Dwarf label compilation Ultimate Arse Magnets by popular request. Black Dwarf, as you probably know, was the H.P. Lovecraft-fixated home of the Unkommuniti and therefore the work of Tim Gane, more recently and better known for McCarthy and Stereolab. A few of those featured here should be familiar to you if you've been following this blog, and shouldn't need much of an introduction, but just for the sake of argument: Trilogy were here just last week, and still known as the Complete Trilogy when this tape went out. These tracks were taken from Tapestry, although Our Patience Will End / Clean Recording is actually a single track made from the two originals edited together, presumably by Tim; the Cause for Concern piece seems to be yet another offering culled from that same afternoon when Larry got to play with a ring modulator around his mate's house; I know nothing about Ashenden except that I really wish I'd got hold of the bloke's tape back then - I have a couple of the fanzines he produced and he was clearly an interesting guy; Opera for Infantry eventually became the Grey Wolves; Smear Campaign - tellingly named after the Nocturnal Emissions hit single - eventually became Godflesh, or at least one of them did; and Mass of Black were a Bolton based punk band who released a few things through Bluurg Tapes as run by Dick of the Subhumans. As for the Kallous Boys, Last Breath, VVH, Spinebender and Assailer, they all seem so closely associated with Black Dwarf as to make me wonder whether they might not simply be Unkommuniti solo-projects given how the Unkommuniti were more than just Tim, from what I gather.

I had to take a slightly different approach to editing the digitised file of this tape, given Tim's propensity for punctuating the track listing with bits of what sounds like Edgar Allen Poe, not to mention his tendency to segue certain tracks into one another leaving it ambiguous as to where Smear Campaign end and Crusade begins, for one example. I've inserted my standard two second gaps where appropriate, but otherwise tried to preserve the flow of the cassette, as was. I've rendered Larry Peterson's amazing contribution in proper mono, as opposed to stereo but only playing in one channel - as appears on the original tape for no good reason I can think of aside from that something probably got unplugged by accident and Tim was too busy reading At the Mountains of Madness to notice. Also included in this download are a couple of Black Dwarf catalogues from the time, plus some sort of manifesto.

More Black Dwarf chortles next week, readers...


Tracks:
1 - Yogge Sothotha
2 - Kallous Boys - Tranquilise
3 - Trilogy - Our Patience Will End / Clean Recording
4 - The Cause for Concern - Hey Juden
5 - Unkommuniti - Pit
6 - Last Breath - Down in the Drains
7 - VVH - Blackfire
8 - Spinebender - Step on Your Backbone
9 - Assailer - I Did It Mi-go
10 - Trilogy - The Dark Night
11 - Ashenden - Jesus Ipsation
12 - The Cause for Concern - Last Doomsday Reprisal
13 - Opera for Infantry - Self-Discipline Not Self-Oppression
14 - Smear Campaign - Processor
15 - Unkommuniti - Crusade
16 - Mass of Black - I Feel


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