Showing posts with label Con-Dom. Show all posts
Showing posts with label Con-Dom. Show all posts

Friday, 9 August 2019

Power to Destroy (1993) 2C60


Usual terms and conditions apply regarding imagery which is probably supposed to upset you, aside from which, Trev really surpassed himself with the packaging of this one and probably would have won a design award were it not for all the pictures of rotting corpses. The cover was photocopied onto card, with each one presumably individually assembled so as to resemble something like a cigar box, with the tapes kept in a slide out tray thing. The tape itself was likewise pretty decent, with a fair bit of sonic variety, and certainly more than you might have expected from the scarier end of the electronic landscape. A few of these are unlikely to require any introduction (and the Ramleh track is blistering, by the way), and I'm sure you're perfectly capable of Googling the others, because I've never heard of them either.

Four of these tracks actually came from me, these being the work of Konstruktivists (of which I was a member at the time), Family of Noise, and Dada X (both of which are represented elsewhere on this blog, so please feel free to have a poke around in the index linked at the foot of this entry) and, at the risk of offending purists, I've actually replaced the tracks as digitised from my copy of the compilation with copies digitised from the master tapes. So they're the exact same tracks, just better quality through not being fourth generation copies.


Tracks:
1 - Final Solution - Right to Hate
2 -
M. Behrens / Junta - Soundtrack for Original Torture Performance
3 -
Agony for Pleasure - Primal Scream
4 -
Konstruktivists - Monsieur Y
5 -
Sudden Infant - Destroy Your Manipulators
6 -
MAUTHAUSEN - Kill the P.A.S.T. (1992)
7 -
Con-Dom - Patriotism
8 -
Ramleh - Melt the Cube (live)
9 -
Family of Noise - Upwards and Outwards
10 -
Genocide Organ - Kill Useless Nations
11 -
Had.It - Interrogatorio a Pietro Maso
12 -
Academy 23 / Grey Wolves - Terror Intensifies
13 - Exit
14 -
Smell & Quim - Cunnilinguaphone
15 -
Family of Noise - Sometimes I
16 -
Taint - Orifice Training
17 -
Dada X - Chocolate Disco
18 -
M. Behrens - Splatterdance (II)
19 -
Sudden Infant - Birth is the Beginning of Destruction
20 -
Nailchrist - Nails and Blood
21 -
Third Organ - Fuck Your Organs
 
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Friday, 13 April 2018

Death Pact International - Fear Eats the Soul (1986) 2C60


All this Grey Wolves has set me to thinking about how I'd once collaborated with them as part of something called Death Pact International, and yet never heard the finished result. In fact I think I only realised that it had ever existed when Stream Angel, another contributor, had mentioned it on facebook. The deal had been that various persons with whom Trev of Opera for Infantry (or probably Irritant by that point) regularly corresponded should send in a tape of sound, noise, music, or whatever, and that it would all be processed, mixed together, and used as part of Death Pact International; so I suppose you could say it was a weirdy music supergroup on some level. Anyway, I sent him something called Rubbish Like You* - a title I'd pinched from Pok-a-Tok fanzine as produced by Lennart Eilersen of Enhoenta Bödlar - and that was the last I heard, although to be fair I was moving around a lot at the time so it's likely Trev either lost my address or that a copy never got forwarded to me from somewhere I'd been living. Anyway, duly reminded of this tape I had a look around for an MP3 version on the internet, but was only able to find one on a site which, for whatever reason, wouldn't let me download stuff. However, Nils Inge Graven was able to download the thing and thus kindly furnished me with a copy of the files, which was nice. So here, by way of a slight swerve, is something I haven't actually digitised from my own collection, but am sharing because I'm on the fucker.

The files I received took the form of four sides of the double tape each digitised as a single continuous track, which offended my sensibilities so I've put it all through Audacity and re-edited the thing, cleaned it up and so on, although as with Tomorrow We Live, the distinctions I've made as to where one track ends and another begins are guesswork on my part. I've also cleaned up the scans of the accompanying artwork and booklet. You're welcome.

Fear Eats the Soul is collectively the work of members of Opera for Infantry, Con-Dom, Kapotte Muziek, ESP Kinetic, Sperm Culture, Do Easy, Face in the Crowd, and a few others I haven't heard of. My recommendation is that you listen to it as though it were a single two-hour piece.

It's great to hear this thing at last, and I feel sort of proud to have been involved. 

*: The original track as it was when I sent it off to Trev can be heard on Gravesend.


Tracks:
1 - Bass / Roots Intro
2 - Madrid de Dia
3 - Sucked In
4 - Crawl
5 - Rubbish Like You
6 - Dumb Dogs
7 - Trigger Mechanism
8 - Mutation Nation
9 - Raw Aktion
10 - Piano //?
11 - Daddy, Fuck My Head
12 - Affirmation
13 - Rage Beater
14 - Clear Blue Sky
15 - Burning Down the Walls of Fire
16 - FDN
17 - What Are You Doing Tomorrow?
18 - Tentaciones
19 - Troops Rape Grenada
20 - Red Peace
21 - Ever Forward
22 - Kill at Will
23 - Banned Exit

 
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Monday, 31 July 2017

Family Patrol Group - Fear Death by Water (1983) C60


Back when I was just a schoolboy in short trousers, I went to see Whitehouse play live at a pub in Birmingham. I'm not sure if it was the first gig I ever attended, and I can't be bothered to check, but it was probably one of them. I went with my friend Grez, and possibly also Jez, although I have a feeling he may not have been able to make it - it was a long time ago. Anyway, despite being a youthful bag of nerves I made a new friend just by standing outside the venue with a Come Org badge proudly sported upon the lapel of my school blazer. His name was Colin Fisher and I think he'd helped organise the event. He was a member of Family Patrol Group, one of the two support bands, the other lot being D.Mag 52 / SHC standing for Death Magazine 52 and Spontaneous Human Combustion because they had two names, not yet having decided which they preferred. We went in and my eyes boggled at what the inside of a pub looked like. I noticed a bloke resembling the Shend from the Cravats stood on the other side of the room fighting off a massive crowd of fans, and David Tibet was perched at the next table reading out the lyrics to Whitehouse's Rock and Roll to his pals and making them laugh. It was exciting, and also kind of scary.

Family Patrol Group were first on with a fifteen minute wall of noise, followed by D.Mag 52 / SHC, who were good, but not as good, finishing with Whitehouse, who were terrifying. A glass casually lobbed into the audience by one of the Whitehousers hit Grez squarely on the top of the head. I turned to him so as to opine something along the lines of fuck this - let's go home and found my question answered in dramatic fashion by blood gushing down his face from where the glass had hit. This incident has somewhat coloured my view of Whitehouse since, but to get to the point, Family Patrol Group really stole the evening for me. There was something about the pure force of their noise, like standing before the business end of a jet engine, and a jet engine which caught our attention without turning the event into the pre-title sequence of an episode of Casualty.

I kept in touch with Colin and bought a few tapes off him, then saw Family Patrol Group again later that same year supporting a couple of bands I don't even remember - Seduction and Baptism with Fire. One of them was a Bauhaus tribute act or something along those lines. This second gig is captured on Fear Death by Water, or at least on my copy. I've a feeling the original tape may have been just the four studio tracks, and I added the recording of the gig in support of Whitehouse myself seeing as there was plenty of room on the tape. I had the impression that Fear Death by Water wasn't so much an official thing as just a tape they might slip you if they could be arsed. The cover doesn't give much away, certainly no titles, and some of this stuff turned up on compilation tapes with titles which may have come from the group, or may have come from whoever was putting out the compilation. I get the impression they were more interested in the live setting, and to be fair, they were fucking amazing live on the two occasions I saw them.

I still don't know much about Family Patrol Group, although their internet presence seems to have increased since the last time I looked, and there's even a website with a list of gigs performed. Their commitment to power electronics conventions of the time seemed tongue-in-cheek bordering on sarcastic, at least going by what Colin said about their Beyond Nilsen stickers. They clearly figured somewhere in that whole Birmingham noise thing which also bequeathed us Final, Smear Campaign, Con-Dom, Godflesh and so on, and the two who weren't Colin Fisher had also been involved with D. Mag 52 / SHC, concerning which, please feel free to interpret whatever else you may feel you need to know from this excerpt from one of Colin's letters:


I'm not in D. Mag 52 / SHC, but the other two are. I'll give you the D. Mag 52 / SHC potted history if you like. Originally a large band of around nine members, fluctuating line up depending on who could attend, no rehearsals, just found instruments before gigs usually. Mainly metal bashing, drums, and other percussion, like Test Dept at times. Slimmed to five, four, or six piece - then mainly metal, tapes and vocals. Then down to two hardcore members - others thrown out or dissuaded. No gigs, but still fluctuating as people replace one another. At the Mermaid, Simon was helped out by a friend. The other hardcore member - Paul - was on 'holiday'. Truth is he was a bit embarrassed at supporting Whitehouse. I think he felt it was pointless trying to compete with them, as we all did, but nevertheless we didn't bottle out. After Family Patrol Group degenerated to nothing, mainly because of my absence at Sunday afternoon jamming sessions, Mike Grant, Family Patrol Group vocalist, was looking for gigs to play as D. Mag 52 / SHC, playing alongside Simon and Paul with Greg, our tape person. They got two, one at a pub which has a regular free spot on Monday evenings, and the second was at an all day festival where Nick Lowe was the main artist. They got ₤100 to play this, but I was told they used ₤80 in preparation by going into the recording studio to record backing tapes. I think it may have been Mike Grant's idea as he had not been into a studio before and was quite keen to do so. Anyhow, I didn't go to either of the above two, mainly due to Mike Grant falling out with me. Nothing serious, just once when we were in a pub he ignored me and he's never spoken since.

I'm therefore assuming that Family Patrol Group were Colin Fisher, Mike Grant, and some dude called Greg, but I'd be very happy to be corrected on any of this - always happy to revisit this little corner of noise history, given that you probably won't get to read about it in books written by tossers for whom it all started with comedy acts such as Ministry.




Tracks:
1 - Fighting Cocks, Moseley 17/12/83
2 - Fear Death by Water I
3 - Fear Death by Water II
4 - Fear Death by Water III
5 - Fear Death by Water IV
6 - The Mermaid, Sparkbrook 27/8/83



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