Showing posts with label Paul Condon. Show all posts
Showing posts with label Paul Condon. Show all posts

Friday, 1 November 2019

The Night Factory (1997) C90


Here's my final DJ set by my friend Paul Condon, whom some of you may recall as the editor of Gneurosis mag. I'm not honestly convinced this one dates from 1997, but am taking a rough guess (and to be honest I could have sworn Fiery Bliss was '95 at the latest because I recall lending it to an ex-girlfriend with whom I think I had fallen out by '96, but Paul insists that's the right date)...

Anyway, he was playing as DJ Novafrost (or possibly just Novafrost) by this point, and this is a bit of a darker set as you will hear. I think the opening material is actually Nurse With Wound. The rest I don't really have much idea about, I'm afraid. I had to be in bed by ten for most of the nineties so this is all a foreign land to me.

End of side one glued on to beginning of side two so as to hopefully present a seamless sound experience. Usual terms and conditions apply.



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Friday, 25 October 2019

Mixed Results (1996) C90


Here's another DJ set put together by my friend Paul, then working as Blackcurrant 93 and raising the roof on a regular basis from what I recall. As with Fiery Bliss, it's something in the general direction of trance techno with a certain je ne sais quoi of acid, and I have no idea which records or even how many went into this particular blend - except The Odyssey by Odyssey 2000 (Exist Dance label, 1992) which is such a fucking cracker that I went out and bought one (or more likely Paul had a spare). It kicks in at around 12.50 and will be recognisable by samples of Cylons from Battlestar Galactica saying by your command; and it's a serious fuckin' tune, mate.

Also, the track which ends this set appears about halfway through Fiery Bliss, but other than that - no idea. As before I've taken the liberty of sewing the end of side one onto the beginning of side two using special computer magic, so hopefully the join is of sufficient seamlessness as to allow the listener to keep his or her buzz going if using this tape as an accompaniment to smoking ecstacy cigarettes and having it large.

Sorry about the Jive Bunny cover. I'm a child, I know.



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Friday, 23 February 2018

Fiery Bliss (1996) C60


Something of a change of pace this week, namely a mix crafted by my friend Paul back when he was a DJ, a master of the two record players if you will, and I suppose there's a slim chance you may remember him from this thing. He put a lot of time into perfecting his mixing and got pretty good at it, and this was the first sample tape he put together, or at least the first one to come my way. He was DJing as Blackcurrant 93 at the time, and I seem to recall that he played at quite a few parties and clubs around London and built up a bit of a following, but never quite seemed to get either the success or billing for which he strove and probably deserved, possibly due to the London club scene being as much about who you know as whether or not you can move a crowd. My guess was that this set dated from around the tail end of 1995, for various not particularly interesting reasons, to which Paul says I finished it around March '96, I think, but it took nine months to put it together and there may well have been an earlier version knocking about at some point.

As to what it actually is, and what you'll hear if you download the thing - house or possibly techno music, bit faster than you probably remember it being, and I'd call it trance except I've a feeling trance was mostly a bit more airy-fairy and synonymous with long-haired persons playing digeridoos on Mediterranean beaches; whereas this is quite hard-edged and a bit sweaty, or summink. I asked Paul about the genre, and he said I don't know either. I used to take some pride in finding not-that-well-known tunes that were hard to pin down genre-wise...

So there you have it - no individual titles because it's a mix of about a million records seamlessly blended into one. I've taken the liberty of welding the end of side one to the beginning of side two, thus eliminating the stop and start of the tape changing sides.



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