Regular - Regulation Issue (1988) C60

Regular was the work of John Jasper, the man behind the Joneses and with whom I worked on the Illyana Rasputin tape. I already wrote plenty about him on the blog entries for those two, so please feel free to have a quick look at them so as to avoid my having to repeat myself. I can wait.

John recorded a ton of this stuff, and due to the general indeterminacy of his character, it wasn't always easy to tell when he'd run me off a copy of his new shit, or whether he'd just nicked a few bits and pieces from obscure On-U label records and failed to mention that they weren't actually by him. Anyway, the point is that he was very prolific, and this was definitely all his own work, and presumably the stuff of which he was most proud judging by the fact that he went down to that place on Rochester High Street which had a colour photocopier, ran off a load of covers, and decided it was an album. As you can probably tell, he was significantly influenced by On-U, Sherwood, Tackhead, Scientist, all of those guys, and for my money he definitely brought something new to the table.

The credits found on the insert were mostly pulled out of John's head, although let's face it, we've all been there with our own imaginary bands. I'm not credited but that's my voice you can hear on A Voice in the East, and also my cheapo Casio sampler which lived around at John's house for about a year. Glenn Wallis of Konstruktivists lived just up the road from John around this time, and I definitely remember them attempting to record something together. The voice on Naked They Go does actually sound a little like Glenn doing one of his characters, but I suspect it's something John took off the radio or another record. Janine, John's girlfriend of the time, can be clearly heard vocalising on Punjabi, but beyond that I've no idea where to draw the line between fantasy and reality. I'm not sure why Regular either - knowing John it was probably some esoteric nod to Reg Varney.

John was the most violently unreliable man on earth, but also a lovely guy and very funny, and I still sort of miss him. More than anything I wish he'd spread a few more of these tapes around, or that someone had chucked a load of money at him and forced him to put out a record; but never mind.

Download the sixteen tracks, cover and insert by clicking on this link.

Tracks:
1 - Mission Impossible (Martial)
2 - Come into the Room
3 - Ghetto Swinger
4 - Touch (dub)
5 - Echo Bass (dub)
6 - A Voice in the East (a Memory)
7 - Naked They Come...
8 - Naked They Go
9 - Touch (Seikh Massacre)
10 - Touchdown
11 - Punjabi (Vaca-Dabi)
12 - Powder Room
13 - Bone Rattle
14 - Swing Low
15 - Likrish Tash
16 - Massacre

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Do Easy - This Can't Go On Forever (1987) C90

Here's another Do Easy tape which was really just a collection of stuff rather than anything intended to be listened to as an album of any description, and it's actually a C60 but I found Improvisation 1986 and Pause on the end of another tape, and they seem to have been from around the same time as the rest of this stuff, so here they are.

 

The first four tracks, which you may notice sound marginally less shambolic than the remainder, were intended as demos for some sort of 12" EP I had a vague plan of recording - seeing as how I had free access to a studio and Brian Eno's old EMS suitcase synth and everything. The idea would be that I'd re-record them without all the screw-ups at some point, then cut a disc and become rich and famous, but I had no money to pay for pressing or any of that shit so I lost interest. I was experimenting with perfect pop, like all those dudes in the pastel suits, whilst additionally influenced in equal parts by the Apostles and Nocturnal Emissions' Songs of Love and Revolution album (an influence which extends to a few of the other tracks on this tape), and it's probably significant that Slowing Down is basically a rewrite of That Was Then but This Is Now by ABC, although I didn't notice it at the time; and yes, I know the lyrics are fucking terrible.

 

Steve McGarrigle played trumpet and almost certainly aided with programming on the first three tracks. Pete Avery sang backing vocals on Slowing Down, which was a bit of a mistake on my part - having backing vocals both louder and better than the main vocals, but never mind. Charlie Adlard, he of Soul, the Cosmic Rays, and who now draws The Walking Dead comic (and is as such probably the man to blame for why you can no longer turn on the telly without seeing zombies) played drums on Fucking Bastard and fire extinguisher on Lies - which was inspired by a dream I had featuring a Target Doctor Who novel apparently called Lies. The cover was predominantly yellow and featured Sea Devils drawn by Chris Achilleos. Ian Elliott is the gentleman with the Newcastle accent who can be heard enthusiastically agreeing that Steve Kütz is a fucking bastard on the song of that name, for that's who it was about, because I'd shared a house with him and the guy was a pain in the arse, quite frankly. Possibly ironically, Steve Kütz plays bass on Garreth is a Pervert, which was just the three of us mucking about. I guess he was less annoying that day.

 

Do Easy was never really intended to be anything but me and whoever else could be bothered, but Garreth Roberts probably came closest to making it a duo. He features on this tape on Fucking Bastard, Groove 1889, Garreth is a Pervert and Lies, and most of the singing which obviously isn't me was by him. I later re-recorded Groove 1889 for the Illyana Rasputin tape but Garreth failed to show, so I still prefer this version. Smilin' Paul Mercer sings on Decay. Improvisation 1986 was performed by Steve McGarrigle, Garreth Roberts, and myself - the TBM department at Maidstone College of Art was built in such a way as to make a sort of natural arena of the roof of the ground floor printing department, formed by the four inner walls of our own first floor department. Garreth, Steve and myself were bored so we set up a load of percussion instruments out there and just banged away for a bit, and I recorded it.

The woman you can hear laughing on Surveillance II achieved brief infamy a couple of years earlier when she appeared accessorised with her dead grandad's false teeth on the front page of The Sun newspaper as an example of why punk rock was an affront to common decency and all that good stuff.

Download the fourteen tracks by clicking on this link.

Tracks:
1 - This Can't Go On Forever
2 - Human Fly
3 - Slowing Down
4 - Fucking Bastard
5 - Groove 1889
6 - Garreth is a Pervert
7 - Your Arms
8 - Lies
9 - Who You Are
10 - Spit Hop
11 - Decay
12 - Surveillance II
13 - Improvisation 1986
14 - Pause

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Family of Noise - New Golden Age (1992) C90

Family of Noise was what I did after Illyana Rasputin - same kind of deal but with a slightly different approach to composition. This time if I fucked up, I recorded it again, and kept on doing so until it sounded all right - as opposed to just deciding that'll do and leaving in the mistakes because I'd read somewhere that mistakes were interesting. Having been recording my own stuff for about a decade by this point, I was getting a bit pissed off at the continued failure of my work to translate into cocaine and blow jobs, so Family of Noise - name taken from a shared love of both Luigi Russolo and Dirk Wears White Sox - was a sort of year zero thing, going back to the start and trying to not fuck it up this time. Most of this cassette was recorded in a single week of May 1992, as noted in an audio letter to Tim Griffiths dated to Saturday the 9th of May, 1992:

It's about a quarter past ten and I've had an absolutely brilliant day. I'm on holiday this week, and instead of going away as I was going to do - I was going to go to Glenn's place in Norfolk - I'm going to stay at home. I've borrowed a mountain of stuff - instruments and recording equipment  - from Carl and Andrew. I've been going at the music like nobody's business today. I haven't felt this good in years. I've recorded three unfinished pieces, unfinished because they still require vocals. It's been good stuff. I've been very pleased with it.

The other good news this week is that I got a letter from Paul Mex. He's given me the go-ahead to do a cassette of the very best of Mex, the early years, taken from the cassettes he did in the early eighties which I always thought were brilliant. Earlier today I recorded a cover version of one of his songs as it happens, although it's instrumental only. I won't be able to record vocals on any of this stuff until the end of the week at the earliest when I've mixed all the music down to two channels.

Anyway it's about half past ten now - time for a cup of tea and a fag, read a few comics and then go to bed. Tomorrow I'll be up about six, go for a walk, go to the bottle bank, walk over to Greenwich park, get some inspiration, come back and have breakfast, and then I'll get down to some more recording.

Then in an audio letter to John Powell dated Thursday the 4th of June, 1992, I report:

I was on holiday recently for a week and I was going to go and stay at Glenn's place but I just couldn't get my act together to save up some money for it, so I stayed here and borrowed loads and loads of equipment from Andrew and Carl and spent an entire week recording music. It was a really good week. I really enjoyed it. I'd get up at half past six every day or something ludicrous, then just get out, go for a walk; I've got my bus pass so I would go somewhere I had never been before, then walk around and think about it. It was nice weather that week as well. I'd get a bit of inspiration, come back, have an enormous fried breakfast, and get down to recording at about ten, sometimes working solidly right through until eight at night. I got most of the music for the Family of Noise tape recorded then, including also a version of Have I the Right? by the Honeycombs for the Joe Meek themed compilation that Chainsaw Cassettes are doing. It's probably the worst bit of music I've ever done in my life, but I'm quite proud of it in a funny sort of way. It sounds like a cross between the Bonzo Dog Band and something off the first Psychic TV album.

Back to the Family of Noise tape, I did quite a few cover versions. I had a system of working which was to do a cover version - something I insisted on doing such as Song of the Snake; then an updated version of an old Do Easy track such as Knife in My Side or Kick the Dwarf; then do a new bit, which is just something I'd have roughly worked out like Charlotte or New Face in SE13. I recorded about three tracks a day, and when I'd done that I'd go over to Carl's place and mix them all onto chrome tape, and because Carl's portastudio runs at ordinary tape speed I could then take that tape and add a couple of vocal tracks on what would ordinarily have been the second side. Some of it worked out okay, but I only have a very rough mix at the moment. The vocals on Rain are appalling. The mix will be different on the final thing, as well as the running order because the last two tracks, Theme and Interlude were really just an afterthought and to make up the time on the cassette, because it was the end of the week and I didn't have time to record anything else.

As you will have noticed I did a version of your own Psychosis, which I'm very pleased with actually. I borrowed Andrew's sampler and managed to lift some of the original sounds from your tape. I've been listening to your tapes and have only just realised you did a vocal version, because what I did was lift phrases from your letters and use those, to do nothing is to do everything which was something you said of Sid Watches Telly, that sort of thing.

Some of the stuff could be better, I mean in the case of tracks like Knife in My Side and Within These Walls. They're both quite old and I could have changed the lyrics because they're not quite appropriate to me in 1992, but I couldn't be bothered, so they're more or less the same as they were first time around.

That's probably more information than you really need. To condense it further, Knife in My Side, Kick the Dwarf, Within These Walls, and Mеня Зовут Яд are revised versions of old Do Easy tracks, the latter having originally been titled Image Control; Into the Valley covers a classic by Mex rather than the Skids, and Rain was originally written and recorded by Exhibit A and appeared on The Thing from the Crypt compilation on Mex's Dead Hedgehog label (still available here); the Virgin Prunes-esque Song of the Snake was my cover of the superior Thomas Frenzi original, and was apparently about Porridge based on some unfortunate personal experience; Psychosis and Tin Men were similarly covers of songs by people whose fame was about equivalent to my own, tape-wise, respectively John Powell of Hoax! zine with his musical hat on, and Paul Mercer of Envy - who appear elsewhere on this blog.

As noted above, I never actually finished this tape in that this was never intended to be the final mix. I think I just began to feel a bit self-conscious about having borrowed Carl's portastudio for probably a year or more, so when I gave it back and failed to buy one of my own, New Golden Age was pretty much forgotten. I suppose it's a shame, maybe. I still quite like some of this, or at least the ideas were decent, if not the execution. You can probably tell I was listening to the Severed Heads quite a bit.

As for what any of it's about: mostly about it having been a great many years since I'd previously had sex with a naked lady and my frustration with this sorry state of affairs, about what total knob's certain people were (my friend Rajun's girlfriend and her SWP pals in the case of Charlotte, then a fanzine editor and some guy from a band I was in - but not Glenn or Carl, obviously) in the case of Life's Mistake; and about attempting to remain optimistic despite reasons as to why this might seem foolish in the case of the title track.

Download the seventeen tracks and inlay card by clicking on this link.

Tracks:
1 - Theme
2 - Into the Valley
3 - Sometimes I...
4 - Knife in My Side
5 - Song of the Snake
6 - New Face in SE13
7 - Kick the Dwarf
8 - Psychosis
9 - New Golden Age
10 - Interlude
11 - Mеня Зовут Яд
12 - Rain
13 - Mean Streets
14 - Within These Walls
15 - Tin Men
16 - Charlotte
17 - Life's Mistake

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Illyana Rasputin in Pittsburgh (1988) C60

This was myself and John Jasper, the man behind the Joneses, thirty minutes of which can theoretically be found by referring to the index. I had been recording my own stuff under the name Do Easy since about 1982 or thereabouts, the problem with which was - as I began to realise - lack of quality control and the absence of any clear idea of what I was doing. Pieces of music which were obviously rubbish were taped over at source, but unless it was completely shit, I usually stuck it on a cassette in the hope of someone buying it. Additionally there was the problem that my tapes would vary wildly in style and quality from one track to the next. I couldn't decide whether I wanted to be Throbbing Gristle, Soft Cell, Karlheinz Stockhausen, or Leonard Cohen, so it probably all sounded wildly inconsistent. By the time 1988 wheeled around I fancied a fresh go at it with a new name and efforts made to ensure that successive tracks would at least sound like the work of the same person. Illyana Rasputin was a character whom I fancied from the X-Men comics, of which I was reading a ton at the time due to having very little in the way of a sex life. It sounded vaguely exotic and not even remotely industrial, so that was what I went with. This tape was recorded on and off throughout 1988 around at John's house. I and the Village, Pure Finger Point at Earth Scum, In the Ruins of Becelaere, Waterside at 12, Let the Bayonets Speak! and Groove 1889 all came from previous incarnations as Do Easy songs, or at least demos left at varying stages of completion, but half of these compositions are John's doing, and he's the reason I can still listen to any of it without wincing too hard.

The details at which I still wince are entirely mine, and time hasn't healed the wound. Because it was the eighties and I had everything Throbbing Gristle ever recorded (including the ludicrously rare private Death Factory tapes from '76, so nyer nyer nyer all you Johnny-come-lately part-timers) I spent at least some of the time exploring controversial ideas and imagery, just like every other sad fucker with a delay pedal and a copy of that Emlyn Williams book about the moors murderers. Accordingly one of these songs is named after a painting by Adolf Hitler, and another was one of Mussolini's catchphrases, to whom there are a number of additional lyrical references for the sake of flavouring one's Riesling with just a splash of urine for sake of texture. Personally I always saw the referencing of the transgressive as roughly in the tradition of the Surrealists and their like. It honestly never occurred to me that there might actually be genuine Hitler enthusiasts out there strumming acoustic guitars whilst singing about Himmler being a bit like some nice flowers, and getting away with it because industrial music fans are generally as thick as fucking pig shit. When not making daring references to bad 'uns, I was mostly singing about how I hadn't had it off in ages. Why this should have been so is obviously a mystery to me.

It actually took me a couple of years to get around to shoving this tape out under the banner of Runciter Corporation, a name stolen from a Philip K. Dick novel under which I also produced various comics and fanzines. I ran off about fifty or so copies, so far as I can tell, although I'm not sure how many of those I actually sold. The tape was also released by Carl Howard's Audiophile Tapes in the US. I'm not sure how many Carl sold, but from what I can tell by looking at his facebook page, he doesn't appear to own a yacht, so US sales may not even have hit single figures. I probably should have recorded a better tape, I suppose, although for all its innumerable flaws, I've heard worse - even if I do say so myself. I only wish the good bits had been my fault.

Whilst I'm here, I feel I should mention Space Patrol!, Carl Howard's net radio show for which there is a facebook page to be found here, and a dedicated group here. It seems like something worth supporting, so you know what to do.

Download the eleven songs and cover by clicking on this link.

Tracks:
1 - Rorschach Love Song
2 - I and the Village
3 - Sad Fascination February 1988
4 - Pure Finger Point at Earth Scum
5 - In the Ruins of Becelaere
6 - Scavenger
7 - Waterside at 12
8 - Let the Bayonets Speak!
9 - Musik in My Gasmask
10 - Pittsburgh
11 - Groove 1889


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