Showing posts with label LDB. Show all posts
Showing posts with label LDB. Show all posts

Monday, 11 November 2019

Ceramic Hobs - The Garage 21/6/03 (2003) C40


This was a Mad Pride event of some description, hence the opening address by Tim Telsa who wrote something in the Mad Pride anthology put together by Robert Dellar; and this is a tape of the gig I was sent by Stan because I'm on it, so not an official release or anything. I had joined the Ceramic Hobs on stage for about thirty seconds during their previous appearance at the Garage, improvising some shit or other so as to prevent Simon reading excerpts from the Qur'an - which he threatened to do in the event of no spontaneous audience contribution being forthcoming. This time I wrote out a whole thing as an LDB performance, which is track six. I spent a few weeks memorising it, and still forgot a few parts. I'd sent Stan a tape of what I planned to do over an arbitrary loop from Illmatic, assuming the Ceramic Hobs would probably just jam while I dropped science, as we say in the rap biz, but for some reason they used the loop and just sort of noodled over it. I hope no-one was under the impression I was expecting them to use that loop from Illmatic, but never mind.

The gig was recorded due to Stan of the Ceramic Hobs suggesting I hang onto the tape recorder, except I was performing, so I left it with Dave (Apostles, Academy 23, UNIT etc. etc.) and my friend Eddy who had come to the gig, possibly to lend me moral support, or even immoral support. Anyway, that's why you can hear myself, Dave and Eddy yacking away at the beginning and then again at the end of the tape. You can also, if you listen closely, hear Jim MacDougall loudly delivering edgy comments and observations from elsewhere in the audience just in case anyone had stopped thinking about him for a moment. Crazy times.

Sound quality is a bit rough, but it sort of works, I think. Apart from me, it was a pretty great gig, which I'd say comes across on the tape.


Tracks:
1 - Introduction (Tim Telsa)
2 - Knight's Move
3 - Native American Healing Chant
4 - Would You Like to Kiss Me?
5 - When I Was a Little Boy
6 - We Don't Do Like That feat. LDB
7 - Xanadu in Veins
8 - Amateur Cops
9 - Lone Twister

 
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Monday, 12 February 2018

v/a - The Best of Italian Opera (1982) C60


Runaway Rhinoceros was a generally wonderful fanzine done by a bloke in Kenilworth, Warwickshire - and was thus representative of the local scene for me seeing as that's where my grandparents lived and I spent a lot of time there as a kid - although actually now I think on I've a feeling it may have been some bloke and his brother who did it. Anyway, the amusingly and misleadingly named Best of Italian Opera was their compilation tape. The cover is a bit underwhelming so I've used a picture of the mag instead - one of many which I flogged whilst raising funds for my relocation to America. I wish I still had a copy but never mind, I suppose at least it went to a good cause.

The tape is mostly punky new wave with some representative anarchopunk and a couple of tracks from local avant garde heroes Attrition - just a mile down the road in Coventry. APF Brigade, as I've only just realised, featured the late Andi Xport of Man's Hate. You may recall Andy T from a million anarchopunk gigs and should probably note that he's still in existence today, and I Still Hate Thatcher is a fucking great title. Attrition you most likely already know about. Shrinkwrap was on Onslaught, their Third Mind tape, and if it's a remix, I can't tell the difference. I've a sneaky feeling that The Shadow Dance is actually Vigil from the same tape, but I can't be arsed to check. I don't know anything about Steve Ainsworth except that Warrior is fucking amazing, and I love it so much that I covered it on one of Stan Batcow's Godspunk compilations (volume two if you can be bothered). The remainder of what little I know about these artists can be gleaned by reading the information sheet which came with the tape, and which I've scanned for this download.

1982 is just a guess by the way. My gut tells me this came out in 1981, but the presence of these Attrition tracks suggests it may have been a little later.

Finally, by way of advanced warning, my copy of this came on a slightly shitty tape, so although most of it digitised okay, there's some serious wow and flutter on the last two Kevin Akitt tracks, plus some kind of weird intermittent distortion on Death of a Nation and at the start of Warrior - which I'm pretty sure is the tape rather than my digitisation, from what I can tell. Sorry. I did my best.



Tracks:
1 - APF Brigade - Syndrome 
2 - APF Brigade - El Dorado
3 - APF Brigade - The Crow Lives Nowhere
4 - Andy T - Frozen North
5 - Andy T - Man's Life
6 -
Andy T - Vivisection
7 -
Andy T - Exploitation
8 -
Andy T - Big Boys
9 -
Andy T - Progressive Destruction
10 -
Kevin Akitt - No Music
11 -
Kevin Akitt - Transmission
12 -
Kevin Akitt - American Dreams
13 -
Kevin Akitt - Soldier Soldier
14 -
No Label - The Truth Is
15 -
No Label - Oh Well - It's Over
16 -
No Label - Something's Gotta Be Done
17 -
Attrition - Shrinkwrap
18 -
Attrition - The Shadow Dance
19 -
Tears of Destruction - Death of a Nation
20 -
Steve Ainsworth - Warrior
21 -
Steve Ainsworth - Twilight Zone

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Monday, 21 November 2016

War Drum - La Quinta Trecena (2000) C90


This was the last War Drum tape which got finished and was sold to people. There were a couple of other tapes after this - half a new album plus a film soundtrack - but nothing complete. I think by this point I'd more or less stopped listening to anything which wasn't rap, and it shows - for better or worse. With hindsight my efforts vaguely resembled those of enterprising 1980s rural English schools making a "rap video" to raise funds for their new swimming pool, as seen on local news programmes and usually featuring lines like Mr. Jones is taking class / He shouts, 'Hey Johnson - get off the grass!'. Still, I like to think I got better after this tape (recording as LDB) and fuck it - at least I was trying something rather than just sticking some Gregorian chant through a reverb and naming it after Aleister Crowley's dog.

The preoccupations here were mostly orientated towards the general direction of Nahuatl-speaking Mexico, excepting the occasional nod at Max Ernst, the first Godzilla film, and Psi-Force comic; and First Steps is another Severed Heads cover, obviously. Colhuacan was indeed recycled from the very first Do Easy tape, in the unlikely event of anyone noticing. As for anything else, explaining it would spoil the fun and I can't be arsed, or in some cases can't remember.

It's no Physical Graffiti, but nevertheless I was quite pleased with this one, and I think it still sounds mostly decent.


Tracks:
1 - At the First Clear Word
2 - Shadow of Love
3 - Last Exit
4 - Staying Alive
5 - Colhuacan
6 - Chalchiuhxochitl
7 - Biding My Time
8 - Pодство

9 - Ryde or Die
10 - Endless Night
11 - Bride of the Ixcuiname
12 - Chicoce Cuauhtli
13 - Tattered Birdman
14 - Oxygen Destroyer
15 - First Steps
16 - Cueva de Villa Luz
17 - Connect Gang


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