Spinning Mbilikimo walikuwa Carl na mimi mwenyewe kujaribu kuweka kwamba Jumla ya Big uchawi kwenda kufuatia kuondoka kwa Chris, and for youse thick fuckers who never made the effort to familiarise yourselves with Swahili, most of the relevant details may be gleaned by perusing previous postings of Spinning Pygmies material, as can be found by referring to the index, as linked at the foot of this blog entry.
The first five tracks represent a rehearsal at Hollytree House in Otham, some time during the summer of 1987 it says here - presumably the rehearsal which convinced us it wasn't working and would probably forever remain an unlistenable racket and therefore the final Spinning Pygmies rehearsal. Saxophone was played by Mark Smith, Carl sang, and I think Garreth and myself alternated on guitar and Casio SK1 keyboard. I probably haven't bothered listening to this thing since we recorded it, although three decades later it sounds a bit like Faust to me, or one of those bands. If it doesn't sound like Faust to you then that's your problem.
The rest was just me filling up the tape. The story behind the sixth track can probably be deduced by referring to this excerpt from my memoirs. It's not a great recording but if you wack the volume up and listen close you can probably just about hear some sounds of excitement and the phrase as my producer said to me... Tracks eleven and twelve were Carl and myself at my flat in Chatham during autumn 1987, which is where the rest of the tape was recorded, or at least filled up (and we had probably taken to calling ourselves the Dovers by that point). The last three tracks are myself and Martin de Sey, whom I knew from college but who had moved into the bedsit directly below mine. I can't even remember if he'd formally joined the band or just fancied a kick about, but anyway he'd been drafted in to play bass for us at a gig at the Sunset Strip, so this was presumably just the two of us working things out in advance. I know the singing sounds incongruously mild for the material, but neither Martin nor myself were gunna be on the mic on the night innit.
The first five tracks represent a rehearsal at Hollytree House in Otham, some time during the summer of 1987 it says here - presumably the rehearsal which convinced us it wasn't working and would probably forever remain an unlistenable racket and therefore the final Spinning Pygmies rehearsal. Saxophone was played by Mark Smith, Carl sang, and I think Garreth and myself alternated on guitar and Casio SK1 keyboard. I probably haven't bothered listening to this thing since we recorded it, although three decades later it sounds a bit like Faust to me, or one of those bands. If it doesn't sound like Faust to you then that's your problem.
The rest was just me filling up the tape. The story behind the sixth track can probably be deduced by referring to this excerpt from my memoirs. It's not a great recording but if you wack the volume up and listen close you can probably just about hear some sounds of excitement and the phrase as my producer said to me... Tracks eleven and twelve were Carl and myself at my flat in Chatham during autumn 1987, which is where the rest of the tape was recorded, or at least filled up (and we had probably taken to calling ourselves the Dovers by that point). The last three tracks are myself and Martin de Sey, whom I knew from college but who had moved into the bedsit directly below mine. I can't even remember if he'd formally joined the band or just fancied a kick about, but anyway he'd been drafted in to play bass for us at a gig at the Sunset Strip, so this was presumably just the two of us working things out in advance. I know the singing sounds incongruously mild for the material, but neither Martin nor myself were gunna be on the mic on the night innit.
Tracks:
1 - Slip Inside Me
2 - Where Have All the Good Times Gone?
3 - Something New Around
4 - Less of the Gun
5 - Good & Gothic
6 - Amanda B******* Being Shagged by Man Resembling Ronnie Corbett
7 - Daughters of Darkness
8 - Carry On at Your Convenience
9 - Twelve Bar
10 - Silence Network 7
11 - Less is More
12 - Never Be Without Your Hand-Truck
13 - Misery List
14 - You Bastard
15 - I Wanna Be (a Punk)
16 - I Wanna Be Your Dog
17 - Precinct
18 - No Lip
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